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<rss xmlns:ps="http://trailfire.com" version="2.0"><channel><title>"An Introduction to the Photography of Shannon Doubleday" by akarra</title><link>http://www.trailfire.com/akarra/trails/63243</link><category>akarra/trails</category><ttl>60</ttl><item><title>oh existention.</title><link>http://www.trailfire.com/akarra/marks/226878</link><description><![CDATA[Shannon&#39;s pictures are principally of objects. Her major theme, I think, is how they decay. One has to wonder how disorder yields yet another order, how the natural reasserts itself despite all our attempts to mimic it.]]></description><category>An Introduction to the Photography of Shannon Doubleday</category><author>akarra</author><pubDate>Tue, 08 Jul 2008 22:03:02 -0700</pubDate><guid isPermalink="false">trailfire:markId:226878</guid></item><item><title>oh existention.</title><link>http://www.trailfire.com/akarra/marks/226879</link><description><![CDATA[The first time I saw this, I thought of it as a rather curious beach. It took me a second to realize what it was. Landscapes find their way into strange places, no?]]></description><category>An Introduction to the Photography of Shannon Doubleday</category><author>akarra</author><pubDate>Tue, 08 Jul 2008 22:05:14 -0700</pubDate><guid isPermalink="false">trailfire:markId:226879</guid></item><item><title>oh existention.</title><link>http://www.trailfire.com/akarra/marks/226881</link><description><![CDATA[Some may say the horizon line isn&#39;t perfect, but I don&#39;t care - what makes this photo work is the narrative. We&#39;re at an angle almost trying to peek up a staircase, separated from the interior by an opening. Are we going in or taking a last look back?]]></description><category>An Introduction to the Photography of Shannon Doubleday</category><author>akarra</author><pubDate>Tue, 08 Jul 2008 22:07:47 -0700</pubDate><guid isPermalink="false">trailfire:markId:226881</guid></item><item><title>oh existention.</title><link>http://www.trailfire.com/akarra/marks/226882</link><description><![CDATA[Angles matter. Would you have ever used the phrase &quot;descending into light&quot; before this?]]></description><category>An Introduction to the Photography of Shannon Doubleday</category><author>akarra</author><pubDate>Tue, 08 Jul 2008 22:08:45 -0700</pubDate><guid isPermalink="false">trailfire:markId:226882</guid></item><item><title>oh existention.</title><link>http://www.trailfire.com/akarra/marks/226883</link><description><![CDATA[When people show up in Shannon&#39;s photography, they do so as objects, but are far from dehumanized. Their animation is evident, as they are a playful comment on our seeing landscapes and other sorts of order throughout her work. We <SPAN STYLE="font-style: italic;">can</SPAN> mimic nature too, nyah nyah.]]></description><category>An Introduction to the Photography of Shannon Doubleday</category><author>akarra</author><pubDate>Wed, 09 Jul 2008 00:23:15 -0700</pubDate><guid isPermalink="false">trailfire:markId:226883</guid></item><item><title>Westminster Wisdom: The Internet as an Introduction to Abstract Art, via Photography</title><link>http://www.trailfire.com/akarra/marks/226886</link><description><![CDATA[So where does looking at all this abstruse but engaging photography get you? I tried to answer that question in this post.]]></description><category>An Introduction to the Photography of Shannon Doubleday</category><author>akarra</author><pubDate>Tue, 08 Jul 2008 22:13:22 -0700</pubDate><guid isPermalink="false">trailfire:markId:226886</guid></item></channel></rss>
